Quality is excellent for the most part although, despite attempts to balance it all out, background distortion is still present in several extracts. Picture rating: 4/5Īudio: The main focal point of the DTS-HD MA 5.1 mix are the interviews that run over the footage. Sadly, despite being screened in 3D in some cinemas, the Blu-ray encode is resolutely 2D. New hues aren't what you'd call vivid, looking flat in the way that colourised footage always does.
#Panorama x ray on two year old movie
If nothing else, these two sections help showcase the meticulous restoration work that underlies this bold cinematic experiment.Īs well as being re-coloured, the rest of the movie zooms in on the footage to fill the widescreen frame. Picture: The first 25 minutes and final 13 minutes of the film present the footage as it was originally shot, in black-and-white, presented in a 1.37:1 window.
#Panorama x ray on two year old archive
Jackson and his team have done an impressive job of bringing this archive footage to Whatever the flaws (whether structural or technical), They Shall Not Grow Old is incredibly affecting. Unfortunately, every so often comes a shot that doesn't quite work as it should, and these can really take the viewer out of the film for a moment. While the artificiality of the recreated colours and location sound is unavoidable, it does serve to make the footage that much more involving. Now we can see these scenes just as the soldiers who were there would have done – or so the thinking goes.īut does it actually work? More often than not, yes. Of the First World War, Peter's Jackson's latest film attempts to transport viewers to the Western Front to experience what it was like for the British soldiers who were stationed there.Ĭulled from over 100 hours of archive footage and over 600 hours of audio interviews with veterans held by the Imperial War Museum and the BBC, the big talking point surrounding They Shall Not Grow Old is Jackson's decision to colourise and re-frame much of the (beautifully restored) footage. Filmmaker Peter Jackson’s experiments with restoring and colourising archival World War I footage yields unexpectedly immersive results…Ĭommissioned by the Imperial War Museum to commemorate the 100th anniversary of the end
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